E-Business

E-Business (bisnis elektronik) menggunakan teknologi untuk meningkatkan proses bisnis Anda. Ini termasuk mengelola proses internal seperti sumber daya manusia, sistem keuangan dan administrasi serta proses-proses eksternal seperti penjualan dan pemasaran, pasokan barang dan jasa dan hubungan pelanggan.

Cara di mana Anda mengelola hubungan bisnis Anda tidak berubah tetapi cara mereka disebut ketika menggunakan alat eBusiness memiliki. Mereka menjadi lebih sering dikenal sebagai:

· Bisnis ke bisnis (B2B);

· Bisnis ke konsumen (B2C) (juga dikenal sebagai eCommerce);

· Pemerintah konsumen (G2C), dan

· Pemerintah untuk bisnis (G2B).

Kegiatan menggunakan alat eBusiness meliputi:

· Perdagangan barang atau layanan online, seperti eProcurement, terutama melalui website

· Elektronik ritel (eTailing)

· Penggunaan internet, intranet atau extranet untuk melakukan penelitian dan mengelola kegiatan usaha

· Web situs pemasaran

· Komunikasi online, seperti email

· Pelatihan online untuk staf (eLearning).

eBusiness tools include: alat eBusiness meliputi:

· Mobile phones Ponsel

· Personal digital assistant (PDA)

· Data Interchange

· Transfer file

· Faksimil

· Video conferencing, internet, intranet dan ekstranet.

eBusiness dan Bisnis Anda

eBusiness lebih daripada memiliki sebuah website untuk bisnis Anda. Menggunakan alat eBusiness dapat membuat aktivitas Anda administratif dan operasional yang lebih efisien melalui:

· Mengakses internet untuk sumber informasi tentang, pemasok industri Anda dan produk dan untuk penelitian umum

· Memperlancar Anda 'tradisional' transaksi fisik menjadi transaksi elektronik, misalnya online banking, manajemen keuangan, kontrol stok dan kepatuhan pelaporan kepada badan pengawas seperti kantor pajak

· Pembelian dan penjualan tanpa kehadiran web dengan menggunakan email atau Efax

· Manajemen sumber daya manusia, melalui pengembangan intranet untuk berita, kebijakan, gerakan dan staf memungkinkan untuk menerapkan cuti dan akses online personel informasi mereka

· Manajemen hubungan pelanggan, yang mengintegrasikan fungsi kantor depan dan belakang organisasi melalui kemampuan elektronik

· Menggunakan perangkat lunak manajemen proyek yang tepat.

Advantages Keuntungan

Manfaat dari penerapan alat eBusiness tidak begitu banyak dalam penggunaan teknologi, tetapi dalam merampingkan proses bisnis dan kemudahan dalam mencari pasar baru. Beberapa keuntungan dan kerugian mencakup:

• Lebih cepat dan lebih mudah komunikasi
• Penguatan kemampuan dan jangkauan pemasaran
• Peningkatan jam operasi (website menyediakan informasi 24 jam 7 hari untuk pelanggan yang ada dan potensial)
• Akses ke informasi yang lebih luas melalui penelitian
• Mengurangi biaya melakukan bisnis dengan menurunkan biaya transaksi dan meningkatkan metode efisien untuk pembayaran, seperti menggunakan perbankan online dan mengurangi biaya alat tulis dan perangko
• Kesempatan untuk mengadopsi model bisnis baru dan mengembangkan dukungan pelanggan disesuaikan.

Pentingnya Perusahaan Menyebarkan Informasi

Dalam situasi perusahaan mengeluarkan produk terbaru atau produksi terbaru atau juga informasi yang laennya yang dikeluarkan perusaan dengan informasi di peruntukan untuk konsumen atau masyarakat yang mengunjungi website perusahaan supaya mengetahui informasi tentang perusahaan, dalam hal ini konsumen yang mengunjungi website mengetahui innformasi terbaru tentang produksi perusahaan atau tentang informasi perusahaan saat ini.

pentingnya perusahaan menggunakan software untuk menghapus jejak e-mail

Perusahan harus menggunakan software untuk menghapus secara elektronik jejek email di karenakan perusahaan emang harus menggunakan software untuk menghapus jejek email pegawai, karena dengan perusahaan menggunakan software untuk menghapus jejak email memudahkan perusahaan untuk menghapus jejak email pegawai. Dengan menggunakan software perusahaan dengan mudah untuk menghapus jejak email di bandingkan menghapus secara manual.

Pentingnya management seharusnya mengawasi kinerja pegawai

pentingnya managemet untuk mengawasi kinerja pegawai dalam hal ini management untuk mengawasi kinerja pegawi sangat penting karena semakin bagus dan baik kinerja pegawai maka akan semakin baik untuk pjerusahaan, dalam hal ini management sangat penting mengawasi kinerja para pegawai atau sebaliknya apabila management tidak dapat mengawasi kinerja pegawai maka akan berdampak buruk untuk kelangsungan produktifitas perusahaan. management juga dapat mengambil keputusan untuk kelangsungan produktifitas perusahaan, apabila kinerja pegawai kurang baik management bisa mengambil keputusan yang lebih baik untuk kelangsungan produktifitas perusahaan.

Pentingnya management seharusnya mengawasi website yang di kunjungi pegawai

management juga penting mengawasi website yang dikunjungi pegawai karena management harus mengetahui seberapa besar respon para pegawai mengunjungi website - website yang dikunjungi mereka, karena semakin mereka tau informasi lebih banyak maka akan mempengaruhi kinerja para pegawai dan informasi serta wawasan yang sangat luas bagi para pegawai., penggunaan internaet sangat penting untuk mengetahui wawasan yang sangat luas, disini managemen berperan penting unhtuk mengetahui wawasan para pegawai tentang website yang dikunjungi para pegawai.

Pentingnya management mengawasi email pegawai

pentingnya management untuk mengawasi email pegawai untuk pengecekan data yang dikirimkan oleh pegawai untuk kepentingan suatu management mendapatkan suatu informasi yang di butuhkan pegawai, maka dari itu mangement penting mengawasi email pegawai.

Short Story

New York Post, January 9, 1934 The Theatre Guild Presents Earle Larimore and Stanley Ridges in Mr. O'Neill's "Days Without End" By JOHN MASON BROWN The Theatre Guild did what it could to make Eugene O’Neill’s “Days Without End” seem acceptable theatre fare at Henry Miller’s last night, Mr. Moeller has directed it skillfully. Mr. Simonson has set it nicely in a series of partially indicated interiors. And Mr. (Earle) Larimore and Mr. (Stanley) Ridges act the Soul-Dust Twins who represent the warring natures of its unhappy hero with much technical skill and precision. But the sorry fact remains that, in spite of the Guild’s first-aid treatment and the script’s obvious sincerity of purpose, the latest drama of Mr. O’Neill’s must take its place along with “Dynamo” and “Welded” among the feeblest of his works. It is as heavy-handed and pretentious as only its author can be in his less fortunate efforts. Indeed so static is most of its tricky writing and so trite is the conclusion toward which it labors that one hates to think what a first-night audience would have done to it if the program had not carried Mr. O’Neill’s name. Once again the first playwright in our theatre has undertaken to illustrate in terms of the drama the all-too-simple fact that each person contains many persons within himself. As he used masks to prove his point in “The Great God Brown,” so in “Days Without End” he has Mr. Larimore shadowed by an alter ego (Mr. Ridges) who gives utterance to his darkest thoughts and the doubts which torment his life. And just as he employed soliloquies and asides in “Strange Interlude” to tap the stream of consciousness and contrast the inner and outer aspects of his people, so Mr. O’Neill now has Mr. Ridges on hand, standing in the corner, hiding behind chairs, and playing “Going to Jerusalem” in order to broadcast the misgivings which are supposed to lurk in a sulphurous corner of Mr. Larimore’s mind. The tortured hero of “Days Without End” is in other words, a Faust who is his own Mephistopheles. He has been a devout Catholic; lost his faith in his boyhood when his parents died; turned Socialists, Communist and atheist by turns; married a woman who has been unhappily married before but who believes completely in him; and found absolute happiness in his love for her. But the black devil that is in him has made him dread what will happen to his new-found serenity if death ever robs him of his wife. It has made him afraid of a love that is almost a religion. And it has led him into a single physical transgression, which, while it has meant nothing to him, comes near to breaking up his home, killing his wife, and blighting his life. His uncle, a Catholic priest, arrives in New York and looks him up. To his wife, who has had influenza, and to this priest, Mr. O’Neill’s hero (attended by his other self) outlines the novel he is writing which he has based upon his own life, his boyhood doubts, his marriage, and his meaningless infidelity. His wife recognizes herself as the betrayed woman in the story, walks out into the night in the hope of catching pneumonia as the heroine of the novel has done, succeeds in catching it in a remarkably short time, and almost dies. Meanwhile her husband has been struggling so hard with the demon who trails him that he ultimately manages to get rid of him under the crucifix in a church. Doubter though he may have been, he ends up by being a believer, by admitting the divinity of Christ, by discovering the Christ is love, and by realizing that death is now dead. According to Mr. O’Neill “Days Without End” is a “modern miracle play,” but the description hardly seems accurate. For almost everything that was simple, straightforward, and disarmingly poignant in the miracle plays of old becomes tedious, ridiculously elaborate, turgid and artificial in this fake preachment of our own times. Even as a stunt play Mr. O’Neill’s “Days Without End” leaves much to be desired. It is written in cumbersome sentences that soon begin to settle like a heavy fog in the auditorium. It has no real eloquence even in its final moments of affirmation when the need for such eloquence is painful. Its device is as obvious as it is tiresome. And, except for the short second act scene between the wife and the woman with whom her husband has stayed, the play’s emotional conflict never proves contagious. All of its parts, save that of the unconscionable egotist who is its central figure, are drab “feeders” who have little or nothing to do. Like Mr. O’Neill’s split infinitive of a hero, these lesser characters find themselves fighting the battle between doubt and faith in a tawdry ineffective melodrama that tells an old, old story and that reaches the not very original conclusion that faith is good and that God is love. Miss Royle is lovely to look at but rather wooden and extremely self-righteous as the noble wife; Miss Chase contributes and excellent bit as the cynic who has tempted Mr. O’Neill’s hero in order to get her revenge on her own faithless husband; and Mr. Loraine not only plays the thankless part of the priest nicely but has acquired an Irish accent for the occasion which he has few real chances to use. Mr. Larimore and Mr. Ridges, as has been noted, divide the actors’ honors between them as the two warring natures of the hero. Their assignment is not any easy one, but they meet it with considerable ingenuity and skill. Just why Mr. Ridges should be made up to look quite as odd as he does is a question that is difficult to answer. One irreverent member of the audience confided to me that he mistook him for Dave Chasen. I only wish he had been. Dave Chasen would have helped matters a lot. Yes, and so would Joe Cook .